Selling Indian Artwork and Tradition throughout India’s Presidency of G20 – Defence Information

By Abhay Ok.

In a world that thrives on divisiveness, India has embodied the spirit of oneness throughout its G-20 presidency by upholding the traditional Indian philosophy of ‘Vasudhaiva Kutumbakam’ and its extension, ‘One Earth, One Household, One Future’.

Selling Indian Artwork and Tradition throughout India’s Presidency of G20 – Defence Information

India’s G20 presidency has offered a one-of-a-kind alternative to showcase the range and richness of Indian tradition, heritage, artwork, and hospitality to the world’s 20 largest economies and different invited visitor nations.

Tradition acts as a cohesive agent for development and improvement in worldwide relations. Two Indian philosophies, viz. Vasudhaiva Kutumbhakam and Atithi Devo Bhava, have all the time been a part of Indian traditions and these have been evident throughout a number of profitable G20 conferences all year long throughout numerous Indian states and Union Territories.

India is house to a various vary of songs, music, dance, theatre, tribal and people traditions, performing and visible artwork, rites and rituals, literature, and writings generally known as the ‘Intangible Cultural Heritage’ of humanity. Every Indian state boasts wealthy traditions and artwork types.

From December 2022 to the current day, over 50 Indian cities have hosted numerous G20 conferences. Indian Council for Cultural Relations (ICCR), in collaboration with the respective state governments, has been entrusted with the duty to arrange cultural occasions for the invited G20 delegates. To this point, greater than 300 cultural programmes have been organized in 139 G-20 conferences during which over 17,000 artists from numerous elements of India have carried out.

Throughout India’s G20 presidency, cultural diplomacy fostered higher understanding and collaboration among the many member nations. Cultural occasions, exhibitions, and performances organised throughout G-20 conferences created casual and convivial areas for discussions and relationship-building.

India is understood for its cultural variety, together with languages, traditions, arts, and cuisines. The G-20 presidency served as a chance for India to showcase this variety and promote cross-cultural understanding among the many member nations.

India’s G20 presidency has additionally facilitated collaborations between artists, musicians, writers, and filmmakers from totally different nations, selling cross-cultural understanding and inventive synergy.

India’s cultural, inventive, and tourism industries contribute considerably to its economic system. Throughout its G20 presidency, India has emphasised the financial potential of its cultural and tourism sectors and mentioned how these sectors may be main forces for financial development and job creation. By showcasing the cultural landmarks, historic websites, and vibrant cities, India would entice extra vacationers, selling its tourism sector.

India, throughout its G20 presidency, has demonstrated its wealthy and various cultural treasures, which is a matter of delight for each citizen of this nation.

Performing Arts

A collection of classical, people, and tribal dances and music mirrored the multicultural, and pluralistic society of India. India’s wealthy cultural tapestry is woven with an array of classical and people dance types, every a testomony to the nation’s inventive and conventional heritage. Among the many illustrious classical dances are Kathak, Odissi, Manipuri, Sattriya, Kuchipudi, Bharatanatyam, Mohiniattam, and Kathakali. Not too long ago, throughout the G20 conferences, these eight classical dance types took centre stage, presenting India’s cultural potpourri.

The fascinating performances underscored the nation’s vibrant inventive legacy, with every dance type emanating its personal distinctive flavour and narrative. Past the classical types, Indian states got here alive with a plethora of folks dances, providing a window into the center of every state’s customs and ethos. For example, the Lavani of Maharashtra, the spirited Bhangra and swish Gidda of Punjab, the energetic Garba and Maniyaro of Gujarat, the Dollu Kunita and Veeragase of Karnataka, the Perini Natyam of Telangana, and the vivacious Thira and Pulikali of Kerala collectively painted a vivid image of regional variety. The Bihu dance of Assam, together with Mishing, Bodo, Dimasa, Karbi, Rabha and Hajong and the myriad indigenous tribal dances of Nagaland, Jharkhand, Manipur, and Arunachal Pradesh, additional contributed to this vibrant tapestry.

Each dance type is a dwelling embodiment of the inventive finesse and cultural depth of every area. These inventive expressions collectively weave the material of India’s cultural identification, providing a glimpse into the intricate tapestry of traditions and narratives that grace every state.

Amidst the grandeur of the G20 conferences, a symphony of fascinating cultural performances tickled the senses of the delegates. The stage got here alive with a harmonious mix of traditions because the attendees have been enthralled by a medley of conventional and modern melodies, folkloric tunes, indigenous rhythms, and modern fusions, meticulously orchestrated by the well-known musicians.

The musical panorama offered a kaleidoscope of acoustic wonders, a testomony to the vastness of India’s musical heritage. These performances weren’t simply harmonies; they have been tales informed via melodies, a cultural bridge connecting previous and current. Amongst these renditions, the viewers was handled to ethereal and uncommon instrumental music, transporting them to realms of sonic novelty. On this aural I celebration, the delegates got a style of India’s musical legacy, every word resonating with the essence of a thousand tales. The performances stood as a vibrant mosaic of cultural narratives, uniting custom with innovation and leaving an indelible imprint on the collective reminiscence of the G-20 visitors.

Visible Artwork

Visible arts and inventive interpretation, inclusive of work, sculptures, artwork installations, and literature, thought of beneficial treasures of India, represent a salient a part of Indian tradition. Throughout the conferences of the G20 presidency, India offered artwork exhibitions of nice masters, in addition to people traditions. The reveals weren’t merely restricted to the visible arts but in addition included different inventive types resembling handloom, rangoli, and handicrafts of varied states. Jal Sanjhi offered at Rajasthan and Hyderabad was an epic instance of artwork types in water. Sand artwork and mandala artwork exhibited in Karnataka, Gujarat, and Ladakh have been extremely praised by the delegates of the G-20 member nations.

Modern and nice artworks comprising work, sculptures, and multimedia installations have been exhibited at among the venues of the conferences. Artworks of some foremost Indian artists like Jamini Roy, Rabindranath Tagore, Nandalal Bose, Subodh Gupta, M. F. Hussain, S. H. Raza, Jayashree Burman have been offered and exhibited.

People and tribal artwork like Madhubani, Warli, Phad, Kalamkari, and so on. have been additionally offered, that includes a various vary of Indian conventional artworks exploring the colourful vary of colors, textures, and cultural symbolism distinctive to the nation.

Heritage Websites

India is house to quite a few UNESCO World Heritage Websites. The G20 presidency organised visits to a few of these iconic websites, providing delegates the chance to expertise India’s wealthy architectural wonders firsthand. Cultural diplomacy is a novel method to additional financial advantages for the state and increase tourism. Within the excursions curated for the delegates, India was in a position to showcase each its architectural heritage in addition to its variety in landscapes.

The websites included the Shikara experience within the iconic Dal Lake in Kashmir, the Loktak Lake in Manipur, the backwaters in Kerala, the Ajanta and Ellora Caves in Maharashtra, the Kumbhalgarh Fort in Rajasthan, the Sandbar Brahmaputra Islands in Assam, and the river cruise in Babughat in Kolkata, to call a couple of. Delegates even witnessed Ganga Aarti in Varanasi and Chapchar Kut (the Harvest competition) in Mizoram.

The broad spectrum of heritage experiences included staying in Kutch’s Tent Metropolis in Gujarat and visits to the temples at Mahabalipuram in Tamil Nadu, Khajuraho in Madhya Pradesh, and Konark in Odisha. The attendees witnessed a variety of native wildlife from numerous elements of India, from the crimson panda and orchids in Sikkim to the coconut timber within the south. Even the majestic Himalayas, Bay of Bengal, and the Arabian Sea served as backdrops to quite a few cultural occasions that highlighted the magnificence of our nation.

Gastronomy and Tradition

Culinary expertise is certainly a wonderful navigator in understanding one’s tradition. The G20 occasions provided a culinary deal with to the delegates with a variety of mouthwatering regional dishes, taking them on a tour of India’s various meals tradition. G20 delegates had the chance to relish Indian delicacies from numerous areas, like Daal Baati and Churma from the deserts of Rajasthan, Makki di Roti and Sarson da saag from Punjab, fish-based curries from the coastal areas of the nation and fermented bamboo dishes from Arunachal Pradesh.

The Yr of the Millet was inculcated within the regional dishes displaying its significance in Indian culinary traditions. Numerous cooking demonstrations and cultural evenings that includes conventional dishes of varied seasons gave the delegates a style of the Indian culinary delights.


India’s presidency of the G-20 offered it with a platform to showcase a complete spectrum of Indian tradition and India as a premium vacation spot for tourism. It was for the primary time G-20 occasions have been hosted in each state and union territory of India, offering every of them with the chance to showcase the most effective of their tradition. India’s G20 presidency has emerged as a supply of nationwide delight, with India demonstrating the richness and variety of its tradition to a world viewers and thus projecting its comfortable energy globally.

He’s writer of a dozen collections of poetry and the editor of The E book of Bihari Literature. His poem-song ‘Earth Anthem’ has been translated into over 150 languages. He obtained the SAARC Literature Award 2013.

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